Marvel Invades Disneyland – Last Look At A Bugs Land

With the news today that a Marvel-themed land (including attractions for Spider-Man and the Avengers) will soon replace A Bug’s Land in Disney California Adventure, our comic-book-loving staff gave a collective cheer.

But the good news came with the unexpected revelation that Disney had secretly closed the land’s anchor, opening-day attraction, the immersive 4-D theater masterpiece “It’s Tough to be a Bug” on March 19!

In recent years, attractions like The Great Movie Ride, Hollywood Tower of Terror, and Maelstrom have all received extended mourning periods as Imagineers prepared to send them to the extinct-attractions club.

So when we saw that “It’s Tough to be a Bug” was gone forever without so much as a tweet, we were disappointed to say the least. We’ll never again see the attraction’s incredible ants-eye view queue, buggy theater poster parodies, and the cavernous underground theater.

Then we found out that one of our team members had visited the attraction mere days before it’s closure and took detailed photos of the attraction’s queue and interior. Little did he know, he was capturing these photos for the ages.

So without further ado, please enjoy one last look at “It’s Tough to be a Bug,” a world-class example of themed-entertainment fabrication that is now gone forever.

To see more of the final photos of “It’s Tough to be a Bug” and “A Bug’s Land,” go HERE.

To learn more about the Marvel Lands coming to Disney parks around the world go HERE.

Space Between Places – An Interview with Artist Morleigh Steinberg

Storyland Studios’ writer, Freddy Martin, sat down with Morleigh Steinberg to talk about how creating unique spaces for people to interact can positively affect human creativity and experiences. Morleigh Steinberg is a dancer, choreographer, director, filmmaker, lighting designer, and is married to U2 guitarist, The Edge.

When I first met Morleigh Steinberg, artist and co-owner of Arcane Space, a bodega studio in Venice, California, I asked about her “gallery.” She politely corrected me.

“It’s not so much a gallery as it is a space,” she mused.

That caught my attention. As a Spatial Storyteller(sm), I’m fascinated by the ways people use space to express something of meaning or significance. Whether in cathedrals, office cubicles, or amusement parks, creative people are able to transform space to express something about themselves and the way they see the world. So I had to go see Arcane Space for myself.

“I think ‘a gallery’ is very defined,” Morleigh later explained. “There’s a certain structure that a gallery has to set up to present artists.”

The entire gallery… er, space is surprisingly small and painted stark white, from the floor to the ceiling. It gives one the impression of a blank page or canvas to be used freely for artistic expression.

“We want it to be a place where we can share,” Morleigh said. “And give (artists) an opportunity to present work, or make work, or explore work, or push work, but not in a defined gallery. But just in the space.”

Lines In The Sky

Arcane Space’s first installation was a collection of Morleigh’s own photographs entitled “LA Sky Lines.”

Each piece featured the blue, California sky criss-crossed with telephone wires and poles, double-exposed for a disorienting kaleidoscopic effect.

“I’ve always been fascinated by the connections that these wires make above our heads. We live in this very detached society. There’s something so tangible and so real about these wires going from pole to pole to pole to pole.”

True to her intention to allow the space to guide the work, the photographs weren’t hung on the walls. They were on the floor, leaned against the wall to create a sort of blue baseboard that followed the walls’ hard angles wherever they led.

This unusual arrangement allowed visitors to view the images, not as individual pieces, but as part of a larger complete work. The space itself had become the work of art.

“There’s purity in putting a picture on the wall,” she said. “But you never just put a picture on a wall, do you? You always put a picture up in the relationship it has to the rest of the space.”

The Space Between Places

Exploring and interacting with new spaces and places has always intrigued Morleigh.

“There are several places in LA that are so unique, but you’re going to have to drive to them. You’re going to have to get in the car to go to them.”

Morleigh grew up in Los Angeles alongside the city’s vast and notorious freeway system. But traffic and distance couldn’t keep her from seeking out the unique experiences the city has to offer.

“I lived in New York for a time and there you don’t have to drive to experience a lot of different things. Here, there’s always somewhere to go. That comforts me more than having the same places within reach all the time.”

One Southern California place she rediscovered recently was Disneyland. Walt Disney’s cartoon kingdom in Anaheim might not be the first place an artist thinks of when seeking authenticity and genuine inspiration, but Morleigh went into the experience with eyes wide open.

“I was so impressed by it. I was really impressed by the landscaping, all California drought tolerant. But then in Tomorrowland, the landscaping was all vegetables, like kale, and chard, and herbs and it was quite remarkable and I was like, ‘Right on!’”

“Then, going into the haunted house, all the things that held the chains they were all these beautiful kind of patinaed bats. And they were real! They weren’t like plastic fake stuff. They were real materials.”

While Morleigh seemed genuinely surprised at the authenticity achieved in Disneyland’s fantasy worlds, she agreed wholeheartedly with the premise that creating space for people to respond to produces genuine emotional results.

“I think how we make space and interact with space has an effect on our positivity, on our outlook, on the whole human experience.”

Outside, It’s America

At the time of this writing, Morleigh is putting the finishing touches on Arcane Space’s newest installation; The Joshua Tree – Photographs by The Edge, the first public showing of her husband’s series of desert photographs.

In 1986, Irish rock band U2 visited Death Valley in California to capture images of America for the cover of their groundbreaking album, The Joshua Tree.

But band photographer, Anton Corbjin, wasn’t the only one taking pictures. The Edge, Morleigh’s husband, and U2’s revered lead guitarist and atmospheric sound architect, took up his own camera to capture the wide open spaces he saw.

Morleigh recognized that displaying her husband’s never-before-seen photographs of the same brilliant landscapes would be unique and intriguing for many people. And the timing isn’t bad either. The band just finished a worldwide tour celebrating the album’s 30th anniversary.

“It doesn’t make sense to do it 6 months from now,” said Morleigh. “That would feel like going back, you know? So let’s kind of catch the end of this magnificent tour and commemoration to that album, which meant a lot to a lot of people.”

With the confidence of a woman at the vanguard of creative exploration for her family, Morleigh convinced her husband to do the unexpected, to use the space to explore and share his own story. ”Let’s not make this about the band. Let’s make it about the landscape. And the landscape that you saw at that time.”

Arcane Space is the collaborative effort of Morleigh Steinberg and singer/artist Frally Hynes.

The Joshua Tree – Photographs by The Edge runs from November 22-December 17, 2017.

100% of the proceeds from sales supports the Go Campaign, which funds grass roots organizations that serve children and youth around the world.

Visit ArcaneSpaceLA.com for more information.

Read the full, uncondensed version of this story at FreddyMartin.net.

Arcane Space in Venice, California. Image originally posted by @arcane.space on Instagram used by permission. © 2017 Arcane Space, all rights reserved.

Themed Entertainment Design Firm Emerges as Spatial Storytelling Powerhouse

Lake Elsinore, CA, November 13, 2017 – The secret’s out. Storyland Studios is now a complete design and fabrication powerhouse serving story partners throughout the themed entertainment industry.

Storyland Studios’ full-range of creative disciplines is directly inspired by the synergy and size of Walt Disney’s original design and fabricating team originally known as WED (Walter Elias Disney) Inc, MAPO (Manufacturing and Production Organization), and eventually WDI (Walt Disney Imagineering).

The 80-person team at Storyland Studios represents a unique combination of artists, architects, and artisans united as one boutique Spatial Storytelling℠ firm including Disney alumni Mel McGowan (Chief Creative Officer) and Tom McGlinchey (Chief Financial Officer).

“We think that we have something special to offer the industry,” said Blake Ryan, President of Storyland Studios. “Whether we’re handed the baton at the Blue Sky or bidding phase, whether we are master planning a property, or fabricating a larger-than-life prop, we stand ready to partner and serve our friends and story partners in the themed entertainment industry.”

Southern California’s Storyland Studios is a full-service themed-entertainment design and fabrication firm offering the following “dream to dedication day” services:

Imagine: Master Planning, Concept Development
Design: Architecture, Interior Design, Production Design, Graphics & Wayfinding
Create: Dimensional Fabrication & Installation

High-profile projects and clients have included the Hogwart’s Express at Universal Orlando, and environments at Sea World, and LEGOLAND.

“Storyland’s story is taking an exciting new turn,” Ryan said. “Our clients have called us a ‘Big Idea’s best friend’ and ‘purveyors of possibility.’ We love answering the question of ‘Is this possible?’ with a resounding ‘Yes!’”

Located in Southern California’s Inland Empire, Storyland Studios is an established “behind-the-scenes” consultant/subcontractor providing themed environments, experiences and elements for stories and IPs from Harry Potter to Star Wars and DC and Marvel. Established by fabrication master Mark Harrington and joined by Disney alumni Mel McGowan, and Tom McGlinchey, Storyland is a complete concept-to-completion themed entertainment design firm.

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Toodles Summer! We’ll miss you.

We wish we could have made it stop, but this week Summer came to it’s bittersweet end. So we’re revisiting Summer’s most memorable fabrications that left lasting impressions on us. Some of these fabrications were crafted right here at Storyland Studios by our talented team, while others (credited below) left us awe inspired.

Escape Velocity at Coachella

This has to be one of the grandest displays of fabricated art we’ve ever seen! The Escape Velocity astronaut was brought to life by some crazy geniuses at Poetic Kentics inc. Built on a forklift that would traverse the crowds at Coachella, we’re still scratching our heads wondering how they did it! By night, EV’s helmet and visor turn into a video screen that was able to display featured artists and social media followers. Besides being beautifully crafted out of steel tubing, chicken wire, fabric & lots of batting. The astronaut’s arm was fully animatronic giving him the ability to flash peace signs! Far out!

TMNT Pizza Thrower at Comic-Con

From Coachella to “Nerdchella”, the much anticipated return of the Ninja Turtles to theatres this Summer was met with this awesome promotional move. A live pizza thrower debuted at Comic-Con this year thanks to Synn Labs and a sponsorship with Pizza Hut (naturally). The Pizza thrower was actually a fabricated Toyota Tacoma that could travel up to 75 mph. Turtle fans were invited to climb atop the machine and take down the TMNT’s arch nemesis Shedder and his gang by launching cardboard replicas of cheese pizza. Cowabunga!

 

Alien Isolation at E3

One of the coolest E3 projects we have ever had the privilege to help bring to life here at Storyland Studios, was this past Summer’s Alien Isolation gaming pod. The ultimate gaming space was of course uniquely tailored to the popular video game by Sega. The clients idea was to create a pod or alien egg where gaming fans could climb inside and get a truly isolating experience while playing their soon to be released video game. This creepy egg engulfed brave fans and followed their experience by hidden camera that could be viewed by spectators on a posterior television screen. The egg’s chair was also equip to pulse along with the game’s action and custom led lighting.

Chima Waterpark in San Diego, CA

Legoland unveiled it’s second aquatic zone this Summer, The Lego Legends of Chima Waterpark. With their younger Lego maniacs in mind, the waterpark was based on the popular Legends of Chima cartoon. We had the privilege of collaborating with Lego on some of the waterpark’s most awesome features. The park’s 23 ft. tall Mt. Cavora was fully fabricated right here at Storyland. Mt. Cavora is embellished with the eight different animal tribes of Chima and gushes over 400 gallons of water per minute back into the Lion Temple wave pool. We celebrated it’s completion and wild success by splashing around in Cragger’s swamp, the ultimate interactive splash zone. We’ll only miss it until next Summer!

Mt. Cavora at Lion’s Temple wave pool